Fearghal Hainsworth Art

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PRINTS

I love printmaking, and use it in many styles: blocky, Japanese inspired works in colour, more tone-focused works in intaglio, and experimental monotypes. I often try and push the boundaries with all three approaches to get more painterly effects, and introduce mixed media to expand a work’s expressive capability.

‘Fort Gwalior 25’.
Screenprint, 2023

SCREENPRINT

I’ve used screenprint as a way of exploring my love of Japanese Ukiyo-e prints without woodblock being available to me. Properly exploring woodblock and stone lithography is an ambition for the near future.

ETCHING AND AQUATINT

I love etching, particularly when combined with aquatint and watercolour washes. Beyond just being an outlet for drawing I love the print process and its expressive range.

‘Flushing Boats VIII’.
Etching with watercolour wash, 2025

Renaissance works, like those of Dürer, were my initial inspiration with etching, and looking at the way Goya blended tone through aquatint made me want to try that too. It adds alot of drama to an image, and I like the effect when combined with simple watercolour washes.

‘Minack Theatre VI’.
Aquatint etching with watercolour wash, 2024

‘Minack Theatre VII’.
Aquatint etching with watercolour wash, 2024

‘Africa State of Mind III’.
Aquatint etching with watercolour wash, 2024

MONOTYPES

Monotype is great for it’s versatility, and unpredictable results.
I often combine it with washes, pastels, and sometimes gouache to fill out the image, the results sometimes almost resemble oils. Seeing the works of Degas made me realise how much expressive potential it has.

‘Led Zeppelin Sketch’.
Monotype and chalk pastel, 2024

‘Plant Pot’.
Monotype and chalk pastel, 2024

‘The Shadow Self’ (Spot).
Monotype and Ink, 2023

‘The Shadow Self’ (Editorial).
Monotype, 2023

‘Train Kept Walkin’.
Monotype, 2022

‘Lotus Sketch’.
Monotype and chalk pastel, 2023

‘The Headdress’.
Etching, 2023

‘Led Zeppelin, Live at Earl’s Court’.
Screenprint, 2024

‘Chrysler Building’.
Screenprint, 2023

‘Highwayman III’.
Etching with relief ink and watercolour washes, 2024

‘Battle of Cable Street, Frame 4 edition 4’.
Drypoint, 2022

‘Battle of Cable Street, Frame 8 edition 1’.
Drypoint, 2022